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Latest recommendations
| Id | Title * | Authors * | Abstract * | Picture▲ | Thematic fields * | Recommender | Reviewers | Submission date | |
|---|---|---|---|---|---|---|---|---|---|
29 Jan 2025
STAGE 1
Does synchronised singing enhance social bonding more than speaking does? A global experimental Stage 1 Registered ReportDo humans bond more when singing together or speaking together? A global investigationRecommended by Katherine Moore based on reviews by Melissa Brandon, Erin Hannon, Manuela Maria Marin and Anja Göritz
Music is a universal across human cultures, but there is debate as to why and how it evolved. For example, Pinker has famously argued that music is “auditory cheesecake,” with no biological value (Pinker, 1997). Most scholars on the evolution of music make comparisons with language, another human universal that is unique to our species (Friederici, 2017). A current leading hypothesis in the evolution of music is the social bonding hypothesis, which suggests that music plays a special role in social bonding beyond the role that language plays (Savage et al., 2021).
Previous studies have provided evidence that synchronized music-making can promote social bonding (e.g. Stupacher et al., 2021). However, it is unclear whether synchronous singing provides any advantage in social bonding as compared to merely speaking. Previous work on this topic has at times lacked sufficient controls and has potentially been subject to publication bias—it could be that only the studies with statistically significant findings are in the published literature, when in fact additional experiments may have been run with unpublished null results. Also critically, prior studies have been subject to sampling bias—the vast majority are limited to a small set of cultures and musical styles, focusing primarily on English-speaking cultures and western music (Henrich & Heine, 2010). If music has evolved as a mechanism for social bonding, then it is especially critical to demonstrate its effects on social bonding across a wide range of cultures.
In a remarkable global collaboration including 88 collaborators from six continents, Savage et al. (2025) plan to collect data on synchronized singing and speech from 1710 participants across 57 research sites. Participants will be assigned to participate in (1) a synchronized singing activity, (2) a synchronized speech activity, or (3) a natural, prompted conversation.
At each research site, participants will gather in groups of 5-10 and will be randomly assigned to one of the three conditions (for the research site to be valid, it must recruit one group of participants into each condition). The experiment will start with pre-test measures of social bonding and other variables. Next, the intervention will commence. In the singing condition, participants will synchronously sing a song that is highly familiar in that culture. In the lyrics recitation condition, participants will synchronously speak printed lyrics to the songs from the singing condition (twice through, to account for speed differences in song and speech). In the conversation condition, participants will have a natural conversation in response to an ice-breaker question. Finally, each group will engage in post-test measures of social bonding as well as debriefing.
The social bonding hypothesis predicts that participants in the synchronized singing task will experience more social bonding (as measured by a pre- and post-test differences) than will participants who engage in sequential conversation or synchronous lyrics recitation in the absence of musical pitch or rhythm. The unprecedented scale of this global, cross-cultural investigation will make a great impact on the field and on our understanding of the relationship among speech, song, and social connection, regardless of the outcome.
Four expert reviewers provided valuable feedback through two rounds of review. Based on detailed responses to the reviewers’ and the recommender’s comments, the recommender judged that the manuscript met the Stage 1 criteria and therefore awarded in-principle acceptance.
URL to the preregistered Stage 1 protocol: https://osf.io/7t4ck
Level of bias control achieved: Level 6. No part of the data or evidence that will be used to answer the research question yet exists, and no part will be generated until after IPA.
List of eligible PCI RR-friendly journals:
References
1. Friederici, A. (2017). Language in Our Brain: The Origins of a Uniquely Human Capacity. https://doi.org/10.7551/mitpress/9780262036924.001.0001
2. Henrich, J., Heine, S. J., & Norenzayan, A. (2010). The weirdest people in the world? Behavioral and Brain Sciences, 33, 61-83. https://doi.org/10.1017/s0140525x0999152x
3. Pinker, S. (1997). How the mind works. WW Norton & Company.
4. Savage, P. E., Loui, P., Tarr, B., Schachner, A., Glowacki, L., Mithen, S., & Fitch, W. T. (2021). Music as a coevolved system for social bonding. Behavioral and Brain Sciences, 44, e59. https://doi.org/10.1017/S0140525X20000333
5. Savage, P. E. et al. (2025). Does synchronised singing enhance social bonding more than speaking does? A global experimental Stage 1 Registered Report. In principle acceptance of Version 7 by Peer Community in Registered Reports. https://osf.io/7t4ck
6. Stupacher, J., Mikkelsen, J., & Vuust, P. (2022). Higher empathy is associated with stronger social bonding when moving together with music. Psychology of Music, 50, 1511-1526. https://doi.org/10.1177/03057356211050681
| Does synchronised singing enhance social bonding more than speaking does? A global experimental Stage 1 Registered Report | Patrick E. Savage, Adwoa Ampiah-Bonney, Aleksandar Arabadjiev, Adwoa Arhine, Juan F. Ariza, Joshua Silberstein Bamford, Brenda Suyanne Barbosa, Ann-Kathrin Beck, Michel Belyk, Emmanouil Benetos, Damián Ezequiel Blasi, Joseph Bulbulia, Anne Cabildo... | <p>The evolution of music, speech, and sociality have been debated since before Darwin. The social bonding hypothesis proposes that these phenomena may be interlinked: musicality may have facilitated the evolution of social bonding beyond the poss... | | Social sciences | Katherine Moore | Melissa Brandon, Manuela Maria Marin, Anja Göritz, Erin Hannon | 2024-09-02 06:01:32 | |
10 Jan 2025
STAGE 1
Development and evaluation of a revised 20-item short version of the UPPS-P Impulsive Behavior ScaleAssessing Impulsivity Measurement (UPPS-P-20-R)Recommended by Veli-Matti Karhulahti based on reviews by Ivan Ropovik and Orestis Zavlis
Impulsivity, as a construct, operates by an established history with various models and theories (Leshem & Glicksohn 2007) having accumulated evidence of relevance especially for mental disorders. One of the dominant models, the Impulsive Behavior Model, is conventionally measured in survey studies with UPPS-P scales, a short version of which was recently assessed in a large cross-cultural project (Fournier et al. 2024). In the present study, Fournier and colleagues (2025) aim to further test the revised 20-item scale in English via a three-phase protocol involving evaluations of construct validity, internal consistency reliability, test-retest reliability, convergent validity, and criterion validity. As such, the study contributes to ongoing important development of useful and up-to-date survey scales, which can help researchers avoid measurement issues (Flake & Fried 2020) in various fields where, in this case, impulsivity plays a role.
The study was reviewed over three rounds by two reviewers, with respective topic and methods expertise. Based on detailed responses to reviewers’ feedback and the recommender’s comments on the construct, the recommender judged that the manuscript met the Stage 1 criteria and therefore awarded in-principle acceptance.
URL to the preregistered Stage 1 protocol: https://osf.io/wevc4 (under temporary private embargo)
Level of bias control achieved: Level 6. No part of the data or evidence that will be used to answer the research question yet exists and no part will be generated until after IPA. List of eligible PCI-RR-friendly journals:
References 1. Flake, J. K. & Fried, E. I. (2020). Measurement schmeasurement: Questionable measurement practices and how to avoid them. Advances in Methods and Practices in Psychological Science, 3, 456-465. https://doi.org/10.1177/2515245920952393
2. Fournier, L., Bőthe, … & Billieux, J. (2024). Evaluating the factor structure and measurement invariance of the 20-item short version of the UPPS-P Impulsive Behavior Scale across multiple countries, languages, and gender identities. Assessment, 10731911241259560. https://doi.org/10.1177/10731911241259560
3. Fournier, L., Heeren, A., Baggio, S., Clark, L., Verdejo-García, A., Perales J.C., Billieux J. (2025) Development and evaluation of a revised 20-item short version of the UPPS-P Impulsive Behavior Scale. In principle acceptance of Version 3 by Peer Community in Registered Reports. https://osf.io/wevc4
4. Leshem, R. & Glicksohn, J. (2007). The construct of impulsivity revisited. Personality and individual Differences, 43, 681-691. https://doi.org/10.1016/j.paid.2007.01.015
| Development and evaluation of a revised 20-item short version of the UPPS-P Impulsive Behavior Scale | Loïs Fournier, Alexandre Heeren, Stéphanie Baggio, Luke Clark, Antonio Verdejo-García, José C. Perales, Joël Billieux | <p style="text-align: justify;">The UPPS-P Impulsive Behavior Scale is a well-established psychometric instrument for assessing impulsivity, a key psychological construct transdiagnostically involved in the etiology of numerous psychiatric and neu... | | Social sciences | Veli-Matti Karhulahti | Ivan Ropovik | 2024-06-27 17:47:17 | |
29 Jun 2022
STAGE 1
Go above and beyond: Does input variability affect children’s ability to learn spatial adpositions in a novel language?Can discriminative learning theory explain productive generalisation in language?Recommended by Chris Chambers based on reviews by Julien Mayor, Natalia Kartushina, Caroline Rowland and 1 anonymous reviewer
One of the major challenges in studies of language learning is understanding productive generalisation – the ability to use words and linguistic structures in novel settings that the learner has never encountered previously. According to discriminative learning theory, this skill arises from an iterative process of prediction and error-correction that gradually reduces uncertainty, allowing learners to discriminate linguistic outcomes and to identify informative, invariant cues for generalisation to novel cases. In the current study, Viviani et al (2022) use computational modelling to propose a central hypothesis stemming from this theory that children will learn the meaning and use of spatial adpositions (words such as “above” and “below” that describe relative positions) more effectively when there is more variability in the use of the nouns within the spatial sentences. They will also test a range of additional hypotheses, including that learning and generalisation to novel contexts will be enhanced when children learn from skewed distributions that are similar to those found in natural languages.
The Stage 1 manuscript was evaluated over two rounds of in-depth review. Based on detailed responses to the reviewers' comments, the recommender judged that the manuscript met the Stage 1 criteria and therefore awarded in-principle acceptance (IPA).
URL to the preregistered Stage 1 protocol: https://osf.io/37dxr Level of bias control achieved: Level 6. Some of the data that will be used in the preregistered analyses was obtained in the second of two pilot experiments. However, since no further revisions to the analysis plan were made after this pilot, the risk of bias due to prior data observation remains zero, and the manuscript therefore qualifies for Level 6.
List of eligible PCI RR-friendly journals:
References
1. Viviani, E., Ramscar, M. & Wonnacott, E. (2022). Go above and beyond: Does input variability affect children’s ability to learn spatial adpositions in a novel language? In principle acceptance of Version 4 by Peer Community in Registered Reports. https://osf.io/37dxr
| Go above and beyond: Does input variability affect children’s ability to learn spatial adpositions in a novel language? | Eva Viviani1, Michael Ramscar2, Elizabeth Wonnacott1 [1: University of Oxford, 2: University of Tübingen] | <p>Human language is characterized by productivity, that is, the ability to use words and structures in novel contexts. How do learners acquire these productive systems? Under a <em>discriminative learning approach,</em> language learning involves... | | Social sciences | Chris Chambers | 2021-11-15 15:04:42 | ||
19 Jun 2024
STAGE 1
Culture-Driven Neural Plasticity and Imprints of Body-Movement Pace on Musical Rhythm ProcessingThe interplay of music, movement, and culture on rhythm processingRecommended by Juan David Leongómez based on reviews by Anne Keitel and 1 anonymous reviewer
The interplay of music, movement, and cultural experience shapes rhythm perception. From bouncing babies and children at play, to tapping, clapping, and dancing, music often triggers synchronous body movements that can influence how we process rhythm. And, at the same time, long-term exposure to specific musical traditions shapes how we perceive and interpret rhythms.
However, direct behavioural and neuroscientific evidence on how these processes occur remains scarce. In this programmatic submission, comprising two complementary Stage 2 reports, Guérin et al. (2024) will investigate how body movements shape the processing of auditory information, and how previous short-term motor practice and long-term cultural experience interact to shape neural and behavioural responses to rhythmic stimuli. The authors will record in separate sessions both electroencephalography (EEG) and hand clapping, in response to rhythms from West/Central Africa. These recordings will be conducted before and after a session in which participants will clap/step to either a three or a four-beat metre that is expected to influence how they interpret a rhythm.
The first Stage 2 report, which will be conducted on African-enculturated participants, aims to demonstrate how body-movement pace flexibly imprints on human sensory processing. The authors build on various theoretical models that emphasise the role of motor production in metre perception, and predict that both neural and behavioural entrainment will improve following movement, matching the rhythmic pattern set by the previous body movements.
The second Stage 2 report aims to uncover how short-term motor practice and long-term cultural experience interact to shape responses to rhythmic stimuli, by integrating short-term motor practice and long-term cultural experience. For this, the authors will test separate groups of participants from distinct cultural backgrounds (African vs. Western-enculturated), which are predicted to show neural and behavioural differences in their preferred metric mapping before body movement, and expect that neural and behavioural entrainment will improve after movement, especially for the metre set by prior movements, and more significantly for the metre common in the participant's culture.
Together, the findings from the planned Stage 2 reports are expected to clarify how long-term cultural background and short-term motor practice imprint onto rhythm processing in humans. This research will enhance our understanding of how cultural experience, body movement, and neural plasticity interact in music processing.
The Stage 1 manuscript was evaluated over three rounds of in-depth review. Based on detailed responses to the reviewers' and recommender's comments, the recommender judged that the manuscript met the Stage 1 criteria and awarded in-principle acceptance (IPA).
URL to the preregistered Stage 1 protocol: https://osf.io/skuyc
Level of bias control achieved: Level 6. Data collection commenced during the later part of Stage 1 peer review; however, since no changes to the design were made after this point, the risk of bias due to prior data observation remains zero and the manuscript therefore qualifies for Level 6. List of eligible PCI RR-friendly journals: References
Guérin, S. M. R., Coulon, E., Lenc, T., Polak, R., Keller, P. E., & Nozaradan, S. (2024). Culture-Driven Neural Plasticity and Imprints of Body-Movement Pace on Musical Rhythm Processing. In principle acceptance of Version 2.1 by Peer Community in Registered Reports. https://osf.io/skuyc
| Culture-Driven Neural Plasticity and Imprints of Body-Movement Pace on Musical Rhythm Processing | Ségolène M. R. Guérin, Emmanuel Coulon, Tomas Lenc, Rainer Polak, Peter E. Keller, Sylvie Nozaradan | <p>The proposed programmatic registered report aims at capturing direct neuroscientific evidence for the rhythmic, movement-related shaping of auditory information with a cross-cultural perspective. Specifically, West/Central African- and Western-... | | Life Sciences | Juan David Leongómez | Anonymous | 2023-11-30 11:36:06 | |
18 Jan 2023
STAGE 1
Beneath the label: Assessing video games’ compliance with ESRB and PEGI loot box warning label industry self-regulationHow effective is self-regulation in loot box labelling?Recommended by Chris Chambers based on reviews by Pete Etchells and Jim Sauer
Paid loot boxes – items bought for real-world money that offer randomised rewards – are a prevalent feature of contemporary video games (Zendle et al., 2020). Because they employ random chance to provide rewards after spending real money, loot boxes have been considered a form of gambling, raising concerns about risk of harm to children and other vulnerable users. In response, some countries have taken legal steps to regulate and even ban the use of loot boxes, with only limited success so far (Xiao, 2022). At the same time, the Entertainment Software Rating Board (ESRB) and PEGI (Pan-European Game Information) now expect games that contain loot boxes to be marked with warning labels that, in theory, will enable users (including parents) to make more informed decisions. These requirements by ESRB/PEGI are not legally binding and may be considered a form of industry self-regulation.
In the current study, Xiao (2023) will investigate the effectiveness of self-regulation in the use of loot box labels. Study 1 examines the consistency of warning labels by the ESRB and PEGI, with the expectation that if self-regulation works as it should then these labels should always (or nearly always) co-occur. Study 2 establishes the compliance rate for labelling among popular games that are known to contain loot boxes, with a rate of ≥95% considered to be successful. The findings should prove useful in identifying the success or failure of self-regulation as a means of ensuring industry compliance with loot box labelling.
The Stage 1 manuscript was evaluated over two rounds of in-depth review. Based on detailed responses to the reviewers' comments, the recommender judged that the manuscript met the Stage 1 criteria and therefore awarded in-principle acceptance (IPA).
URL to the preregistered Stage 1 protocol: https://osf.io/e6qbm Level of bias control achieved: Level 3. At least some data/evidence that will be used to the answer the research question has been previously accessed by the authors (e.g. downloaded or otherwise received), but the authors certify that they have not yet observed ANY part of the data/evidence.
List of eligible PCI RR-friendly journals:
References
1. Zendle, D., Meyer, R., Cairns, P., Waters, S., & Ballou, N. (2020). The prevalence of loot boxes in mobile and desktop games. Addiction, 115(9), 1768-1772. https://doi.org/10.1111/add.14973
2. Xiao, L. Y. (2022). Breaking Ban: Belgium’s ineffective gambling law regulation of video game loot boxes. Stage 2 Registered Report, acceptance of Version 2 by Peer Community in Registered Reports. https://doi.org/10.31219/osf.io/hnd7w 3. Xiao, L. Y. (2023). Beneath the label: Assessing video games’ compliance with ESRB and PEGI loot box warning label industry self-regulation, in principle acceptance of Version 3 by Peer Community in Registered Reports. https://osf.io/e6qbm
| Beneath the label: Assessing video games’ compliance with ESRB and PEGI loot box warning label industry self-regulation | Leon Y. Xiao | <p>Loot boxes in video games are a form of in-game transactions with randomised elements. Concerns have been raised about loot boxes’ similarities with gambling and their potential harms (e.g., overspending). Recognising players’ and parents’ conc... | | Humanities, Social sciences | Chris Chambers | 2022-09-17 00:14:51 | ||
21 Apr 2024
STAGE 1
Cross-cultural relationships between music, emotion, and visual imagery: A comparative study of Iran, Canada, and Japan [Stage 1 Registered Report]Testing cross-cultural difference in the emotionality and visual associations of musicRecommended by D. Samuel Schwarzkopf based on reviews by Elena Karakashevska, Juan David Leongómez and Nadine Dijkstra
For many of us, music is far more than an auditory experience. It can trigger emotional reactions, evoke memories, and wide-ranging associations with other sensory modalities and cognitive states. Music also varies between different cultures in several ways. It remains unclear in how far the broader associations music has differs between cultural contexts, both in terms of the music itself and the listener. This study by Hadavi et al. (2024) seeks to better understand these relationships. Using an online survey targeted at 72 participants from anglophone Canada, Farsi-speaking Iran, and Japan (24 from each location), the researchers aim to address two straightforward hypotheses.
First, does faster tempo of music increase ratings of emotional arousal? Second, do participants match faster tempo music with denser visual line patterns? This latter measure aims to quantify the visual imagery evoked by the musical pieces. Imagery is a loaded term that is not used consistently across the cognitive neuroscience literature; one could argue that what the researchers are actually here is in fact mainly an association between tempo and a visual representation of tempo (or frequency). It certainly seems doubtful that persons listening to a piece of music will form a mental image of a bundle of horizontal lines. Yet, irrespective of how to interpret this experimental variable, it quantifies something about the impression listeners have when experiencing music, and whether these associations differ cross-culturally. The experiment has a balanced design, incorporating excerpts of musical pieces from each of the three cultural contexts, including both solo and group music. While the sample size is comparably low, given the online nature of data collection, it is based on a power analysis and relatively large expected effect sizes.
The proposed study was evaluated by three expert reviewers and the recommender over three rounds of in-depth review, plus a final round ironing out smaller issues. Reviewer Juan David Leongómez was recruited as a co-author after the first round of revisions. Following this process, the recommender decided that the manuscript met Stage 1 criteria and awarded in-principle acceptance (IPA).
URL to the preregistered Stage 1 protocol: https://osf.io/zdnkm
Level of bias control achieved: Level 6. No part of the data or evidence that will be used to answer the research question yet exists and no part will be generated until after IPA. List of eligible PCI RR-friendly journals:
References
1.Hadavi, S., Kuroda, J., Shimozono, T., Leongómez, J. D. & Savage, P. E. (2024). Cross-cultural relationships between music, emotion, and visual imagery: A comparative study of Iran, Canada, and Japan. In principle acceptance of Version 6 by Peer Community in Registered Reports. https://osf.io/zdnkm | Cross-cultural relationships between music, emotion, and visual imagery: A comparative study of Iran, Canada, and Japan [Stage 1 Registered Report] | Shafagh Hadavi, Junji Kuroda, Taiki Shimozono, Juan David Leongómez, Patrick E. Savage | <p>Many people experience emotions and visual imagery while listening to music. Previous research has identified cross-modal associations between musical and visual features as well as cross-cultural links between music and emotion and between mus... | | Humanities, Social sciences | D. Samuel Schwarzkopf | 2023-03-01 02:48:54 | ||
14 Jan 2025
STAGE 1
Implementing a rapid geographic range expansion - the role of behavior and habitat changesThe role of behavior and habitat availability on species geographic expansionRecommended by Chris Chambers
Note from the PCI RR Managing Board: This Stage 1 recommendation was originally written by Esther Sebastián González for PCI Ecology on 06 Oct 2020 and was transferred to PCI Registered Reports on 14 Jan 2025 to facilitate the submission and evaluation of the resulting Stage 2 submissions. The link to the original recommendation and review history at PCI Ecology may be found at this link (and in PDF format here).
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Understanding the relative importance of species-specific traits and environmental factors in modulating species distributions is an intriguing question in ecology [1]. Both behavioral flexibility (i.e., the ability to change the behavior in changing circumstances) and habitat availability are known to influence the ability of a species to expand its geographic range [2,3]. However, the role of each factor is context and species dependent and more information is needed to understand how these two factors interact. In this pre-registration, Logan et al. [4] explain how they will use Great-tailed grackles (Quiscalus mexicanus), a species with a flexible behavior and a rapid geographic range expansion, to evaluate the relative role of habitat and behavior as drivers of the species’ expansion [4]. The authors present very clear hypotheses, predicted results and also include alternative predictions. The rationales for all the hypotheses are clearly stated, and the methodology (data and analyses plans) are described with detail. The large amount of information already collected by the authors for the studied species during previous projects warrants the success of this study. It is also remarkable that the authors will make all their data available in a public repository, and that the pre-registration in already stored in GitHub, supporting open access and reproducible science. I agree with the three reviewers of this pre-registration about its value and I think its quality has largely improved during the review process. Thus, I am happy to recommend it and I am looking forward to seeing the results.
URL to the preregistered Stage 1 protocol: http://corinalogan.com/Preregistrations/gxpopbehaviorhabitat.html
Level of bias control achieved: Level 1. At least some of the data/evidence that will be used to the answer the research question has been accessed and observed by the authors, including key variables, but the authors certify that they have not yet performed any of their preregistered analyses, and in addition they have taken stringent steps to reduce the risk of bias.
List of eligible PCI-RR-friendly journals: References
[1] Gaston KJ. 2003. The structure and dynamics of geographic ranges. Oxford series in Ecology and Evolution. Oxford University Press, New York.
[2] Sol D, Lefebvre L. 2000. Behavioural flexibility predicts invasion success in birds introduced to new zealand. Oikos. 90(3): 599–605. https://doi.org/10.1034/j.1600-0706.2000.900317.x
[3] Hanski I, Gilpin M. 1991. Metapopulation dynamics: Brief history and conceptual domain. Biological journal of the Linnean Society. 42(1-2): 3–16. https://doi.org/10.1111/j.1095-8312.1991.tb00548.x
[4] Logan CJ, McCune KB, Chen N, Lukas D. 2020. Implementing a rapid geographic range expansion - the role of behavior and habitat changes (http://corinalogan.com/Preregistrations/gxpopbehaviorhabitat.html) In principle acceptance by PCI Ecology of the version on 16 Dec 2021 https://github.com/corinalogan/grackles/blob/0fb956040a34986902a384a1d8355de65010effd/Files/Preregistrations/gxpopbehaviorhabitat.Rmd
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Full review history: [link]
| Implementing a rapid geographic range expansion - the role of behavior and habitat changes | Corina J Logan, Kelsey B McCune, Nancy Chen, Dieter Lukas | <p>It is generally thought that behavioral flexibility, the ability to change behavior when circumstances change, plays an important role in the ability of a species to rapidly expand their geographic range (Chow et al., 2016; Griffin & Guez, ... | | Life Sciences | Chris Chambers | 2025-01-13 12:12:15 | ||
28 Dec 2021
STAGE 1
Sight vs. sound in the judgment of music performance: Cross-cultural evidence from classical piano and Tsugaru shamisen competitionsUnderstanding the role of visual and auditory information in evaluating musical performanceRecommended by Yuki Yamada based on reviews by David Hughes and Kyoshiro Sasaki
In this Stage 1 Registered Report, Chiba and colleagues (2021) aim to investigate how people use information from visual and auditory modalities when evaluating musical performances. Previous studies, mainly using Western music, have reported a visual dominance, but this has not yet been clearly and consistently reported. Thus, the authors propose to evaluate both the reproducibility and generalizability of the previous findings by conducting a replication study using the methodology of the previous studies and by introducing a new experimental condition in which the Tsugaru-shamisen, a unique Japanese musical instrument, is also performed. This study could represent an important turning point in the research context of performance evaluation and would be of considerable value. This manuscript was peer-reviewed by two experts in scientific methodology and Japanese traditional music, respectively, and during the two-round peer-review process they made a number of important points, but eventually awarded the manuscript a highly positive response. I am therefore pleased to recommend that this Stage 1 Registered Report meets our Stage 1 criteria and is worthy of in-principle acceptance. I look forward to seeing the results and discussion reported in Stage 2, with the expectation that the experiment conducted by the authors will be in strict accordance with this protocol. *The following is a very minor comment, which I hope the authors will find helpful in the future. Of course, this is not related to hypothesis construction and does not require revision: The "Blind Audition" study cited in the introduction is very impactful, but has recently been called into question, so I am at least a little cautious when citing this study. This article may be useful. https://www.wsj.com/articles/blind-spots-in-the-blind-audition-study-11571599303 URL to the preregistered Stage 1 protocol: https://osf.io/ry2b6 Level of bias control achieved: Level 6. No part of the data or evidence that will be used to answer the research question yet exists and no part will be generated until after IPA. List of eligible PCI RR-friendly journals: References
| Sight vs. sound in the judgment of music performance: Cross-cultural evidence from classical piano and Tsugaru shamisen competitions | Gakuto Chiba, Yuto Ozaki, Shinya Fujii, Patrick E. Savage | <p style="text-align: justify;">Which information dominates in evaluating performance in music? Both experts and laypeople consistently report believing that sound should be the most important domain when judging music competitions, but experime... | | Social sciences | Yuki Yamada | Kyoshiro Sasaki | 2021-09-24 08:59:26 | |
Sight vs. sound judgments of music performance depend on relative performer quality: Cross-cultural evidence from classical piano and Tsugaru shamisen competitions [Stage 2 Registered Report]Music is appreciated cross-modally, but is culture- and context-dependentRecommended by Yuki Yamada based on reviews by Kyoshiro Sasaki and 1 anonymous reviewer
Music is not merely limited to the aural experience we garner through our auditory faculties, as commonly perceived. Rather, various studies have explored the cross-modal impact of visual stimuli on the evaluation of music. These previous studies have been confined exclusively to Western music. Hence, Chiba et al. (2023) designed a study with a focus on the Tsugaru shamisen, a renowned folk instrument indigenous to Japan, and of which the first author is an outstanding player.
The study methodology was an improved version of previous endeavors, wherein actual musical material sourced from concours performances was displayed through audio-only, video-only or both modalities. A sample of Japanese participants were then asked to evaluate the concours performances on both the piano and the Tsugaru shamisen. The results, obtained through pre-registered protocols, revealed that for both concours performances, the participants displayed a cross-modal impact of visual information on their aural evaluation of music. This effect was also found to be contingent on cultural and contextual factors. These outcomes furnish valuable evidence towards the generalizability of the interplay between sight and sound in the assessment of music. The study underwent rigorous peer-review processes in both Stage 1 and Stage 2, with three experts specializing in Japanese folk music, open science, and statistics, respectively, providing their critical assessments. Following multiple rounds of revision, the final manuscript was deemed fit for recommendation.
URL to the preregistered Stage 1 protocol: https://osf.io/ry2b6
Level of bias control achieved: Level 6. No part of the data or evidence that was used to answer the research question was generated until after IPA.
List of eligible PCI RR-friendly journals:
References
Chiba G., Ozaki Y., Fujii S., & Savage P.E. (2023). Sight vs. sound judgments of music performance depend on relative performer quality: Cross-cultural evidence from classical piano and Tsugaru shamisen competitions [Stage 2 Registered Report]. Acceptance of Version 2 by Peer Community in Registered Reports. https://doi.org/10.31234/osf.io/xky4j
| Sight vs. sound judgments of music performance depend on relative performer quality: Cross-cultural evidence from classical piano and Tsugaru shamisen competitions [Stage 2 Registered Report] | Gakuto Chiba, Yuto Ozaki, Shinya Fujii, Patrick E. Savage | <p>Which information dominates in evaluating performance in music? Both experts and laypeople consistently report believing that sound should be the most important domain when judging music competitions, but experimental studies of Western partici... |  | Social sciences | Yuki Yamada | 2022-11-30 08:04:37 | ||
04 Jun 2024
STAGE 1
Voice preferences across contrasting singing and speaking stylesExploring the enjoyment of voicesRecommended by Chris Chambers based on reviews by Patrick Savage, Christina Vanden Bosch der Nederlanden, Christina Krumpholz and 1 anonymous reviewer
Beyond the semantics communicated by speech, human vocalisations can convey a wealth of non-verbal information, including the speaker’s identity, body size, shape, health, age, intentions, emotional state, and personality characteristics. While much has been studied about the neurocognitive basis of voice processing and perception, the richness of vocalisations leaves open fundamental questions about the aesthetics of (and across) song and speech, including which factors determine our preference (liking) for different vocal styles.
In the current study, Bruder et al. (2024) examine the characteristics that determine the enjoyment of voices in different contexts and the extent to which these preferences are shared across different types of vocalisation. Sixty participants will report their degree of liking across a validated stimulus set of naturalistic and controlled vocal performances by female singers performing different melody excerpts as a lullaby, as a pop song and as opera aria, as well as reading the corresponding lyrics aloud as if speaking to an adult audience or to an infant. The authors will then ask two main questions: first if there is a difference in the amount of shared taste (interrater agreement) across contrasting vocal styles, and second, as suggested by sexual selection accounts of voice attractiveness, whether the same performers are preferred across styles.
The Stage 1 manuscript was evaluated over three rounds of in-depth review. Based on detailed responses to the reviewers' comments, the recommender judged that the manuscript met the Stage 1 criteria and therefore awarded in-principle acceptance (IPA). URL to the preregistered Stage 1 protocol: https://osf.io/7dvme Level of bias control achieved: Level 6. No part of the data or evidence that will be used to answer the research question yet exists and no part will be generated until after IPA. List of eligible PCI RR-friendly journals: References
1. Bruder, C., Frieler, K. & Larrouy-Maestri, P. (2024). Voice preferences across contrasting singing and speaking styles. In principle acceptance of Version 5 by Peer Community in Registered Reports. https://osf.io/7dvme | Voice preferences across contrasting singing and speaking styles | Camila Bruder, Klaus Frieler & Pauline Larrouy-Maestri | <p>Voice preferences are an integral part of interpersonal interactions and shape how people 1 connect with each other. While a large number of studies has investigated the mechanisms behind 2 (spoken) voice attractiveness, very little research wa... | | Social sciences | Chris Chambers | 2022-11-30 23:02:34 |
