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Cross-cultural relationships between music, emotion, and visual imagery: A comparative study of Iran, Canada, and Japan [Stage 1 Registered Report]use asterix (*) to get italics
Shafagh Hadavi, Junji Kuroda, Taiki Shimozono, Juan David Leongómez, Patrick E. SavagePlease use the format "First name initials family name" as in "Marie S. Curie, Niels H. D. Bohr, Albert Einstein, John R. R. Tolkien, Donna T. Strickland"
2023
<p>Many people experience emotions and visual imagery while listening to music. Previous research has identified cross-modal associations between musical and visual features as well as cross-cultural links between music and emotion and between music and visual imagery. However, few studies have simultaneously investigated cross-cultural links between music, visual imagery, and emotion in order to distinguish the role of cultural experiences in contrast to more widespread perceptual capabilities. In this study, we investigate the relationship between emotional arousal and visual density induced by 6 musical excerpts differing in tempo and texture (solo vs group) in 72 participants from Japan, Iran, and Canada (24 each). We hypothesize that there are cross-culturally consistent relationships between tempo changes and 1) visual density associations, and 2) arousal ratings. The aim of this study is to understand whether relationships between music, emotion, and visual imagery are cross-culturally consistent.</p>
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music cognition; cross-modality; cross-cultural studies; visual imagery; emotions
NonePlease indicate the methods that may require specialised expertise during the peer review process (use a comma to separate various required expertises).
Humanities, Social sciences
Nadine Dijkstra suggested: Reshanne Reeder, Giulia Cabbai, Magdalena Del Rio Forster, Alexander Sulfaro No need for them to be recommenders of PCI Registered Reports. Please do not suggest reviewers for whom there might be a conflict of interest. Reviewers are not allowed to review preprints written by close colleagues (with whom they have published in the last four years, with whom they have received joint funding in the last four years, or with whom they are currently writing a manuscript, or submitting a grant proposal), or by family members, friends, or anyone for whom bias might affect the nature of the review - see the code of conduct
e.g. John Doe [john@doe.com]
2023-03-01 02:48:54
D. Samuel Schwarzkopf