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SAVAGE PatrickORCID_LOGO

  • Faculty of Environment and Information Studies, Keio University, Fujisawa, Japan
  • Humanities, Social sciences
  • recommender

Recommendation:  1

Reviews:  2

Areas of expertise
Music cognition, ethnomusicology, cultural evolution, digital humanities, psychology, anthropology

Recommendation:  1

26 Feb 2024
STAGE 1

Lure of choice revisited: Replication and extensions Registered Report of Bown et al. (2003)

Replicating the "lure of choice" phenomenon

Recommended by based on reviews by Hu Chuan-Peng and Gakuto Chiba
The "lure of choice" refers to the idea that we prefer to preserve the option to choose even when the choice is not helpful. In a classic study cited hundred of times, Bown et al. (2003) reported evidence for the lure of choice from a series of studies involving choices between competing options of night clubs, bank savings accounts, casino spinners, and the Monty Hall door choice paradigm. In all cases, participants tended to prefer to choose an option when paired with a "lure", even when that lure was objectively inferior (e.g., same probability of winning but lower payoff).
 
The lure of choice phenomenon applies to a variety of real-life situations many of us often face in our daily lives, and Bown et al.’s findings have influenced the way organizations present choices to prospective users. Despite their theoretical and practical impact, Bown et al.'s findings have not previously been directly replicated, even as the importance of replication studies has become increasingly acknowledged (Nosek et al., 2022).
 
Here, Chan & Feldman (2024) outline a close replication of Bown et al. (2003) that will replicate and extend their original design. By unifying Bown et al.'s multiple studies into a single paradigm with which they will collect data from approximately 1,000 online participants via Prolific, they will have substantially greater statistical power than the original study to detect the predicted effects. They will follow LeBel et al.’s (2019) criteria for evaluating replicability, such that it will be considered a successful replication depending on how many of the 4 scenarios show a signal in the same direction as Bown et al.’s original results (at least 3 out of 4 scenarios = successful replication; no scenarios = failed replication; 1 or 2 scenarios = mixed results replication). They have also added additional controls including a neutral baseline choice without a lure, further ensuring the the validity and interpretability of their eventual findings.
 
One of the goals in creating Peer Community In Registered Reports (PCI RR) was to increase the availability of publishing venues for replication studies, and so PCI RR is well-suited to the proposed replication. Feldman’s lab has also pioneered the use of PCI RR for direct replications of previous studies (e.g., Zhu & Feldman, 2023), and the current submission uses an open-access template he developed (Feldman, 2023). This experience combined with PCI RR’s efficient scheduled review model meant that the current full Stage 1 protocol was able to go from initial submission, receive detailed peer review by two experts, and receive in-principle acceptance (IPA) for the revised submission, all in less than one month.
 
URL to the preregistered Stage 1 protocol: https://osf.io/8ug9m
 
Level of bias control achieved: Level 6. No part of the data or evidence that will be used to answer the research question yet exists and no part will be generated until after IPA.
 
List of eligible PCI RR-friendly journals:
 
 
References
 
Bown, N. J., Read, D. & Summers, B. (2003). The lure of choice. Journal of Behavioral Decision Making, 16(4), 297–308. https://doi.org/10.1002/bdm.447
 
Chan, A. N. Y. & Feldman, G. (2024). The lure of choice revisited: Replication and extensions Registered Report of Bown et al. (2003) [Stage 1]. In principle acceptance of Version 2 by Peer Community In Registered Reports. https://osf.io/8ug9m
 
Feldman, G. (2023). Registered Report Stage 1 manuscript template. https://doi.org/10.17605/OSF.IO/YQXTP
 
LeBel, E. P., Vanpaemel, W., Cheung, I. & Campbell, L. (2019). A brief guide to evaluate replications. Meta-Psychology, 3. https://doi.org/10.15626/MP.2018.843
 
Nosek, B. A., Hardwicke, T. E., Moshontz, H., Allard, A., Corker, K. S., Dreber, A., ... & Vazire, S. (2022). Replicability, robustness, and reproducibility in psychological science. Annual Review of Psychology, 73(1), 719-748. https://doi.org/10.1146/annurev-psych-020821-114157
 
Zhu, M. & Feldman, G. (2023). Revisiting the links between numeracy and decision making: Replication Registered Report of Peters et al. (2006) with an extension examining confidence. Collabra: Psychology, 9(1). https://doi.org/10.1525/collabra.77608

Reviews:  2

13 Sep 2024
STAGE 2
(Go to stage 1)

Appreciation of singing and speaking voices is highly idiosyncratic

Exploring the enjoyment of voices

Recommended by based on reviews by Patrick Savage
Beyond the semantics communicated by speech, human vocalisations can convey a wealth of non-verbal information, including the speaker’s identity, body size, shape, health, age, intentions, emotional state, and personality characteristics. While much has been studied about the neurocognitive basis of voice processing and perception, the richness of vocalisations leaves open fundamental questions about the aesthetics of (and across) song and speech, including which factors determine our preference (liking) for different vocal styles.
 
In the current study, Bruder et al. (2024) examined the characteristics that determine the enjoyment of voices in different contexts and the extent to which these preferences are shared across different types of vocalisation. Sixty-two participants reported their degree of liking across a validated stimulus set of naturalistic and controlled vocal performances by female singers performing different melody excerpts as a lullaby, as a pop song and as opera aria, as well as reading the corresponding lyrics aloud as if speaking to an adult audience or to an infant. The authors then asked two main questions: first if there is a difference in the amount of shared taste (interrater agreement) across contrasting vocal styles, and second, as suggested by sexual selection accounts of voice attractiveness, whether the same performers are preferred across styles.
 
Support for the preregistered hypotheses was mixed. Shared taste differed significantly between singing styles, but contrary to the hypothesis that it would be higher for more “natural”/ universal styles (lullabies) than for more “artificial” (operatic) forms of singing (with pop singing in an intermediary position), it was found to be higher for operatic than pop singing. At the same time, the hypothesis of low consistency in preferences for singers across styles was confirmed, contradicting the notion that singing and speaking voices convey the same information about an individual's physical fitness. Overall, the results suggest that enjoyment of singing and speaking is idiosynchratic and prone to substantial individual differences. The authors conclude that a broader approach is needed to studying this question that traverses geographic, linguistic, and cultural contexts.

The Stage 2 manuscript was evaluated over one round of in-depth review. Based on detailed responses to the reviewer's comments, the recommender judged that the manuscript met the Stage 2 criteria and awarded a positive recommendation.
 
URL to the preregistered Stage 1 protocol: https://osf.io/7dvme
 
Level of bias control achieved: Level 6. No part of the data or evidence that was used to answer the research question was generated until after IPA. 
 
List of eligible PCI RR-friendly journals:
 
References
 
1. Bruder, C., Frieler, K. and Larrouy-Maestri, P. (2024). Appreciation of singing and speaking voices is highly idiosyncratic [Stage 2]. Acceptance of Version 2 by Peer Community in Registered Reports. https://osf.io/rp5jx?view_only=506d243a6e7a4d3680c81e696ca81025
04 Jun 2024
STAGE 1
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Voice preferences across contrasting singing and speaking styles

Exploring the enjoyment of voices

Recommended by based on reviews by Patrick Savage, Christina Vanden Bosch der Nederlanden, Christina Krumpholz and 1 anonymous reviewer
Beyond the semantics communicated by speech, human vocalisations can convey a wealth of non-verbal information, including the speaker’s identity, body size, shape, health, age, intentions, emotional state, and personality characteristics. While much has been studied about the neurocognitive basis of voice processing and perception, the richness of vocalisations leaves open fundamental questions about the aesthetics of (and across) song and speech, including which factors determine our preference (liking) for different vocal styles.
 
In the current study, Bruder et al. (2024) examine the characteristics that determine the enjoyment of voices in different contexts and the extent to which these preferences are shared across different types of vocalisation. Sixty participants will report their degree of liking across a validated stimulus set of naturalistic and controlled vocal performances by female singers performing different melody excerpts as a lullaby, as a pop song and as opera aria, as well as reading the corresponding lyrics aloud as if speaking to an adult audience or to an infant. The authors will then ask two main questions: first if there is a difference in the amount of shared taste (interrater agreement) across contrasting vocal styles, and second, as suggested by sexual selection accounts of voice attractiveness, whether the same performers are preferred across styles.
 
The Stage 1 manuscript was evaluated over three rounds of in-depth review. Based on detailed responses to the reviewers' comments, the recommender judged that the manuscript met the Stage 1 criteria and therefore awarded in-principle acceptance (IPA).
 
URL to the preregistered Stage 1 protocol: https://osf.io/7dvme
 
Level of bias control achieved: Level 6. No part of the data or evidence that will be used to answer the research question yet exists and no part will be generated until after IPA. 
 
List of eligible PCI RR-friendly journals:
 
References
 
1. Bruder, C., Frieler, K. & Larrouy-Maestri, P. (2024). Voice preferences across contrasting singing and speaking styles. In principle acceptance of Version 5 by Peer Community in Registered Reports. https://osf.io/7dvme
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SAVAGE PatrickORCID_LOGO

  • Faculty of Environment and Information Studies, Keio University, Fujisawa, Japan
  • Humanities, Social sciences
  • recommender

Recommendation:  1

Reviews:  2

Areas of expertise
Music cognition, ethnomusicology, cultural evolution, digital humanities, psychology, anthropology